Sara Maitland on Reviews of Dan Pearson’s garden at The Maggie Centre
Sara Maitland discusses the comments on Bridget Rosewell’s review of Dan Pearsons’ garden at The Maggie Centre, Charing Cross, London.
Sara Maitland discusses the comments on Bridget Rosewell’s review of Dan Pearsons’ garden at The Maggie Centre, Charing Cross, London.
Kim Wilkie comments on Bridget Rosewell’s review of Dan Pearson’s garden at The Maggie Centre, Charing Cross, London.
Joan Edlis comments on Bridget Rosewell’s review of Dan Pearson’s garden at The Maggie Centre, Charing Cross, London.
Victoria Summerley comments on Bridget Rosewell’s review of Dan Pearson garden at The Maggie Centre, Charing Cross, London.
by Tim Richardson.
“Beth Chatto’s garden was never going to be ‘my thing’, exactly, but I found it all rather underwhelming….”
“What better designer than Piet Oudolf, who works in a vocabulary of plant materials characterized by sturdy geometric form, durable structure, and the ability to provide visual appeal even through winter weather?”
by Anne Wareham.
“Try some adjectives: – risk taking, banal, complacent, incomprehensible, exciting, disturbing? – to help you focus on just what you feel about it.”
With responses from Mike Gerrard, Antony Woodward, Tim Richardson, Jenny Woods, Clive Nichols, Chris Young, Yue Zhuang and Rebecca Wells.
Reflections on a visit to Plaz Metaxu (Coombe house) by Stephen Anderton.
“It is possible for an overpowering intellectual agenda for a garden to be the excuse for unconscious flights of great ugliness…”
Jane Stevens comments on Anne Wareham’s article on gender and the garden world.
“I read the ongoing debate about ‘flowers’ versus ‘design’ among garden designers and commentators with a knowing smile. I remember the self-same discussion when I entered horticulture 25 years ago.”
Amanda Patton comments on Anne Wareham’s article on gender and the garden world.
“I’ve had a look at the Ann Pearce garden, and for I’m afraid me it sums up so much of what I really hate about modern garden design – subjectively I found it sterile and unfeeling; objectively unsustainable and wildlife-unfriendly. Sorry, I hate saying this about people’s work, but we are meant to be engaged in a debate here, and I am just going to say what I think. Give me a girly garden full of flowers. Or for that matter an old guy with loads of petunias and French marigolds at 330mm intervals. Or a load of weeds…”
“When I was a resident of West Oxfordshire – flat Thames plain – I became very interested in the hortus conclusus perhaps as an escape and contrast to that boring agricultural landscape in which Didcot Power Station is visible from practically everywhere. And I wanted detail, planted order and planted cornucopia to give me variety. Now I live in London and Monmouthshire amid very different landscapes…”
“I first saw Ann Pearce’s garden in The Times of Jan 06 and thought it was great. I took the article in to an evening class I was doing in garden design. They had learnt to look at things other than bright flower colour and were now happy with ideas of balance and proportion in the garden. But they didn’t like Ann’s garden. ‘It’s all right, but not for me’ was the general consensus. Leading people out of their comfort zone is difficult.
I confess that I was a bit disappointed.”