Joan Edlis on The Maggie Centre
Joan Edlis comments on Bridget Rosewell’s review of Dan Pearson’s garden at The Maggie Centre, Charing Cross, London.
Joan Edlis comments on Bridget Rosewell’s review of Dan Pearson’s garden at The Maggie Centre, Charing Cross, London.
Victoria Summerley comments on Bridget Rosewell’s review of Dan Pearson garden at The Maggie Centre, Charing Cross, London.
Bridget Rosewell reviews Dan Pearson’s garden at The Maggie Centre, Charing Cross, London.
“Some rather dispirited perennial clumps do their best to break up the mulch and are backed by the now ubiquitous groups of multi-stemmed small trees.”
“I read the ongoing debate about ‘flowers’ versus ‘design’ among garden designers and commentators with a knowing smile. I remember the self-same discussion when I entered horticulture 25 years ago.”
“I’ve had a look at the Ann Pearce garden, and for I’m afraid me it sums up so much of what I really hate about modern garden design – subjectively I found it sterile and unfeeling; objectively unsustainable and wildlife-unfriendly. Sorry, I hate saying this about people’s work, but we are meant to be engaged in a debate here, and I am just going to say what I think. Give me a girly garden full of flowers. Or for that matter an old guy with loads of petunias and French marigolds at 330mm intervals. Or a load of weeds…”
“When I was a resident of West Oxfordshire – flat Thames plain – I became very interested in the hortus conclusus perhaps as an escape and contrast to that boring agricultural landscape in which Didcot Power Station is visible from practically everywhere. And I wanted detail, planted order and planted cornucopia to give me variety. Now I live in London and Monmouthshire amid very different landscapes…”
“I first saw Ann Pearce’s garden in The Times of Jan 06 and thought it was great. I took the article in to an evening class I was doing in garden design. They had learnt to look at things other than bright flower colour and were now happy with ideas of balance and proportion in the garden. But they didn’t like Ann’s garden. ‘It’s all right, but not for me’ was the general consensus. Leading people out of their comfort zone is difficult.
I confess that I was a bit disappointed.”
“I would like to begin my reply to Bridget’s response by quoting Stendhal …….. ‘what we find beautiful is the promise of happiness’. As we all know, the pursuit of happiness is not only a deeply personal one but also highly elusive and ever changing due to the complex world we live in. Therefore there are as many styles of beauty (or gorgeousness!!) as there are visions of happiness.”
“In response to Bridget Rosewell’s comments on the need for a balance between structure and the looser floral elements of a garden, I think she has made a very important point. Balancing the two will bring harmony to any garden…”
by Bridget Rosewell.
“I am not interested in girly – give me gorgeous though. I would describe the Ann Pearce garden as ‘impressive’ and ‘striking’ but not ‘gorgeous’. Gorgeous implies something more?”
by Bridget Rosewell.
A response to Peter Osbourne’s series of articles adressing some of the problematic aspects of reviewing/criticising gardens.
“I love gardens in winter (not winter gardens). When the palette is muted and the bones show, and it is not wise to sit for too long, the good garden gives a frisson all of its own.”
Bridget Rosewell comments on Anne Wareham’s article on beauty and gardens.
by Anne Wareham.
On Beauty and Gardens –
“….So often when I visit a garden I am confronted with the horrifically ugly, and that seems to me to make a mockery of our materials, which are the best the world can offer.”